Anger Management
I have a quick chat with Bradford Punk/Ska band, Random Hand, before they teach the occupants of yet
another venue how to move themselves - fast.
Interview with: Joe Tilston (Bass, Vocals) and Robin Leitch (Lead Vocals, Trombone)
The UK has seen another
recession; student fees have nearly tripled and the coalition have set its
sights on the benefit system. The blood of all those feeling the pressure is
turned up from simmer to boil, and as usual, the forever immortal medium of
music gives voice to the masses.
The UK’s Punk scene first reared
it misshapen safety pin ridden head during the social strife of the 70’s and
80’s. It acted as a group therapy for every angry thought dwelling at the back
of your mind, and for every drop of poison on the tip of your tongue.
Equally Ska prevailed as a happy
endorphin replacement to coincide with the anger management of Punk. As the
gyrating spit spewing faces of the ‘pogo’ appeared atop the crowds of punk
gigs, so did the knees to elbows of ‘skanking’, accompanied by up-strumming bar
chords and a reggae bass line.
Over the last few years we have
seen the rise and fall of the King Blues and their anthems of revolution such
as “Whose Streets” and “Lets Hang the Landlord”. As well as witnessing the
growth of fusion bands utilising the stage platform to combine contemporary
music styles with an old school Punk ideology such as Sonic Boom Six. We now
have such a blossoming variety of music not so closely associated to a rigid
genre but instead in its own field, where the gleaming idea uniting them is
their ability to care about what is happening to them; and care enough to shout
about it.
This brings me to the single most
exciting band I have experienced in some time. A group of lads from Bradford,
West Yorkshire, known to all of those screaming back their lyrics amidst an array
of sweat and elbows, as Random Hand.
Ten years after “our first gig in
our mate’s cellar” Joe Tilston (Bass, Vocals) and Robin Leitch (Lead Vocals,
Trombone) sit for a chat before their set. The Maze is an intimate venue a five
minute walk from Nottingham city centre. I arrive to find an atmosphere
recognisable only to patrons who like to attend shows where moving your feet is
happily compulsory.
After touring and playing with
bands such as: Real Big Fish, The King Blues, The Skints and Sonic Boom Six,
Random Hand have rubbed shoulders with bands on all fronts of the contemporary
Punk scene. Despite their association with a genre known for breeding strong
political views and brutal commitment to ideology, Joe and Robin remain true to
their agenda, of no agenda.
Robin: “I have no interest in
preaching to people at all... I don’t get on stage to go, ‘you should think
this way’. It’s quite simply not our place to do that”.
Joe: “In any band having any
content of a vaguely political nature, people attach to that what they want…they
just assume that what our message is, is a strong one…it’s just us writing
about our lives, we come from a working class town, we are affected by these
things.”
It is clear as the conversation
progresses that their Punk and Ska labels are happily accepted but not
essential to their success, as they seem to have mastered the balance between
the expressions of themselves and that of their audience. In return their fans
seem to latch on to their passion (shared with other bands previously
mentioned) rather than the greater collective of Punk and Ska as genres.
They discuss their ethics
regarding lyrics and band influences, constantly enforcing an unchanging ideal
to portray themselves as they are, as well as being unforced or false.
Robin: “…the only thing we make
sure we do, is make sure we’re honest....as long as I'm putting a genuine feel
down on the song and not just sort of going into territories that I know
nothing about or just inventing things to feel…”
Joe: “I wouldn’t want to go on
stage in this band and write about robins failed love interests and things like
that. Not that he has failed love interest” (both laugh) “that’s not what we
are about; we’re not that group of people so that’s why you get us being angry
about the political situations in our town.”
As we continue to talk about
their move to Bomber Music and the Release of their third album “Seething is
Believing” in 2011 and the loss of founding member Matthew Crosher in April, it’s
clear that this is a tight band that has taken each step forward for the last
ten years holding on to their values. And I honestly don’t believe they would
have been interested in having it any other way.
When all of Robins peanuts are
gone and I have thanked them over and over for their time (one chance to look
cool in front of one of your favourite bands – pathetic!) and they head off to
get ready.
Stage lights up, the trombone leans out across the heads of the crowd. There was sweat, there were elbows but much to the satisfaction of the shameless grin on my face, there was Random Hand.